Spoilers for everything, obviously.
This has been a rough year to be a superhero fan, unless you really like Sony’s Spider-themed corner of hell. There were bright spots, obviously. 2024 was a year of reworking and tinkering for the main studios. DC have been stoking excitement for upcoming projects now that James Gunn is at the helm. Marvel have been working hard to build up good will with audiences again. But it was not a terrible year, merely an interesting one.
Also, there are two things I had to bend the rules to call comic book properties, just go with it. Everything’s a comic book movie eventually.
Oh and I’ll include links to the last three years of rankings in case you need a refresh. Let’s do it!!!

Super-Ranking the Comic Book Movies and TV shows of 2021
Super-Ranking the Comic Book Movies and TV Shows of 2022
Super-Ranking the Comic Book Movies and TV Shows of 2023

18. Argylle
This isn’t really a comic book movie, but in the post-credits Matthew Vaughn connects it to the Kingsman universe, and those are based off of one comic book, so this loophole allows me to yell about it. Matthew Vaughn suckered me in with an interesting premise and an outstanding cast, and oh did he waste both so spectacularly. “Let’s make a spy movie about a woman who writes spy novels and thinks the world of espionage is glamorous and insane and men in fancy suits exchange bad dialogue in the midst of chaotic bouncy action sequences that feel almost unreal, then do an incredibly obvious twist and reveal she was the spy and had amnesia and she’s writing about her own past, and intercut scenes of suave Henry Cavill with a terrible haircut doing weird CGI action with scenes of Sam Rockwell looking tired and doing similarly bad action in a grayer environment. Let’s put Catherine O’Hara and Bryan Cranston, in terrible villain roles, and have John Cena, Richard E. Grant, and Rob Delaney show up for seconds at a time and do nothing. And above all, let’s make a movie that seems like its lampooning different kinds of overrated, weird and bad spy movies but is also in itself exactly that. Oh, and throw a CGI cat in there for no reason.”
It’s like being told you’re going to be served your perfect meal and then they bring out a plate of fortune cookies but the cookies are made of Styrofoam and each of the fortunes are messages from your friends and loved ones telling you why they despise you. It doesn’t look like its filmed anywhere. Samuel L. Jackson is in it for a minute and his big third act scene is getting excited that a file upload bar on a computer screen is moving. They repeatedly play of the recently released Beatles song “Now and Then” that was cobbled together from old recordings, and imply that it’s been Sam Rockwell and Bryce Dallas Howard’s character’s songs for years now even though IT JUST CAME OUT LAST YEAR. And none of this would matter if it looked good or it had good jokes or the plot was remotely interesting or it made use of the cast. I need to move on, but please Matthew, for the love of Christ, stop making spy movies.

17. The Umbrella Academy (Season Four)
I think I’ve just lost all manner of patience with this show at this point. There’s interesting stuff going on, I like some of the fight scenes. But it almost refuses to make use of its premise in a cohesive or interesting way, or give any character a consistent arc and instead just does whatever each season wants with no regard for the previous one. Klaus goes from drug-addict to depressed cult leader to scared drug addict in control of his powers to powerless germaphobe terrified of death and then somehow back to scared drug addict who forgets how powerful he now is. Luther goes from sad moonman to hairy wrestler to himbo in love, and then he’s a lonely middle-aged stripper. Alison becomes evil and terrible for a bit and then everyone forgets, Five is consistently an angry old man trapped in the body of a child who suddenly becomes an immature child in love with his brother’s wife, and so on.
The first episode was fun, the second episode was really good, and then everything fell apart in a pile of conspiracy and CGI. I think this show is always worse when they aren’t loosely adapting the comics. This season was all about the opposite of Marigold and who the fuck really cares. It’s about the characters or it should have been at least, and there’s no consistency. It’s just a bummer. I don’t need timeline cleanup. Though it’s nice that when they erase themselves from time we close out with one more “I Think We’re Alone Now”. And nothing puts me in a good mood like hearing “This Must Be The Place (Naïve Melody)”, a Talking Heads banger. Plus Nick Offerman and Megan Mullally were unsurprisingly delightful.

16. Joker: Folie à Deux
This looks better than most of the things on this list, and the production value is very good, for the cigarettes alone. But it’s depressing. And it’s not even really a comic book movie. So I’m not quite sure why I’m including this movie about a mentally ill man, it has nothing to do with comic books. Arthur’s not a criminal. He killed six people because he’s mentally ill and broken, but at no point in time did he act with willful intent. Anyway. Bad. Sad. If you want to see a gritty, crime-driven version of this universe, with nuanced characters who are villains and also real people, go to number six on the list. There are two interesting musical numbers. And I didn’t talk about it much in the review, but beyond the uninteresting portion, the trying to do a bunch and doing nothing, I did enjoy Brendan Gleeson’s performance. He’s a very good actor. I liked that he was mostly an affable but rude Irish guard, until he did what it’s implied he did to Arthur. I also didn’t understand why Catherine Keener and Steve Coogan showed up for a couple scenes at a time. There was no reason for actors of their caliber to appear. And there was no reason Zazie Beetz should be in this and not Deadpool & Wolverine, which she would have been better in.

15. Venom: The Last Dance
The Venom movies are alright I guess but they aren’t good. I don’t like Venom as a character. This is easily the worst movie in a disappointing trilogy of missed opportunities. Look no further than the butchering of a character that was created in the lead-up to the first movie to see how thoroughly incompetent Sony executives are.
Not a person on this Earth can look me in the eye and say anything recent from the MCU is worse than these. Even if you didn’t like Love and Thunder, if you thought Eternals was boring, if you’re weird and hateful and have some grudge against women being in things and The Marvels and She-Hulk are the worst things that ever happened to you, you’re still wrong. From an objective standpoint, you’re wrong. Even Secret Invasion, the worst thing Marvel has ever made, is slightly better than all of this. I’ll say no more, they don’t deserve any more attention. Boo. Bad.

14. Kraven The Hunter
I spoke of this at length. What a terrible film. Why did we never see who the pilot he worked with was? Was it cut out? You can’t watch these movies without looking for missing threads and adr and feel cynical and skeptical and it’s sad and disappointing. Also this movie I feel has the potential to be somewhat damaging to Ariana Debose and Aaron Taylor-Johnson’s careers. I don’t know. These characters have potential to be menacing and interesting and excellent in the right hands, but these aren’t the right hands. In a way this is Sony’s Black Adam, for me at least. I like the Justice Society and the Geoff Johns Black Adam stuff. I actually like Kraven. He’s the one character we’ve gotten in these movies I’ve always liked. And this… ugh.

13. Echo
Marvel TV has been a very mixed bag. I always shout from the rooftops that the somewhat declining quality of their output is not proof they should stop, but their inability to consistently release cohesive and comprehensive TV series is really emphasizing the strain. On the qualityometer this rests far above Secret Invasion, which remains the worst and most boring thing Marvel has ever made. And unlike that show, this is about something. I also like it more than Hawkeye, the show it spun off of. It still suffers from Marvel TV-itis, in that most of them were clearly not plotted out ahead of time or made with a full sense of how to make TV shows where each episode is interesting. This isn’t even offensively bad, it just feels mean and sad. Not the show itself, the obvious behind the scenes treatment of it.
Five episodes of varying length, clearly cut down from a larger whole, all released at once in mid-January, the month of the year reserved for things studios have no faith in. All in all the studio showed little faith and regard for the first superhero production centered around an indigenous American, her tribe, and her life as a badass deaf paraplegic anti-hero. It’s clear that at the center of this show are people who have stories to tell. Pity they had to release it through a studio that clearly didn’t care enough to allow it to be something. Disney and Marvel obviously had no faith in it, regretted making it, and farted it out as quickly and silently as possible. Beyond that it’s better than I remember, I’m sure. The side characters are fun and there are attempts made to make it feel like a weird prestige Fargo style show, but they did somewhat undercut Vincent D’Onofrio’s gravitas by having Echo’s sister and grandmother beat up his goons with vague CGI “Our ancestors guide us” abilities. That scene should not have looked silly and insulting, it should’ve been empowering. Ah, well. I liked the bowling alley fight and the Daredevil cameo, so. Sure.

12. Madame Web
Echo is far better than this, but I had way more fun with Madame Web. I love it. It’s like the Garth Marenghi’s Darkplace of superhero movies except instead of being a brilliantly funny British television show about egotistical idiots making bad TV they think is incredible, it’s accidentally terrible in the way that fictional show is meant to be. Because Sony executives are woefully incompetent. It raises so many questions that you know nobody cutting and editing the film into the mess it is ever considered.
How did the spider and its abilities help Ezekiel build an empire and become rich? Why did he think that these three girls were inevitably going to kill him and he couldn’t just move or do different things with his life to change his fate? Why did Cassie become a paramedic when she clearly hates every person on Earth? Why would Mattie Franklin have beef with the woman who almost ran her over when she was the one who skateboarded into oncoming traffic? How did that forest not burn down when they left their fire going? Did Cassie seriously never consider that her mom genuinely cared about her? Do the jumping Amazonian spider tree people not consider their culture to be far too vague and culturally offensive for a movie released in 2024?
Did nobody reporting the news that Cassie had kidnapped the girls stop to research that one of them was an illegal immigrant and the other one is a juvenile delinquent and they might be taking advantage of an innocent curmudgeonly paramedic? Why would Ben bring to a baby shower the one person at work that doesn’t understand basic social cues and can’t talk about motherhood without mentioning that her mom sucked and abandoned? Has any woman ever said “I can feel him leaping around in there” in reference to a baby in her uterus before? And does anyone in Hollywood actually believe Matt Sazama and Burk Sharpless have the ability to write good screenplays, or are they fall guys that they purposefully hire when they know a movie will be bad and they want a tax write-off?

11. What If…? (Season Three) Probably
So… this is the most shat on Marvel thing, it’s easy to do so and I get it. Some of it feels soulless, it’s a mixed bag, I think there was maybe one episode this season I genuinely liked through and through and all the others just had concepts I liked. But overall? If you’re sticking with it, you should know that by now. It is a version of the comic book concept. I’ve never read any What If comics but I enjoy the idea, and can confidently say that overall this was a success. This may be the weakest season, but I commend them for trying new things, like the Voltron episode (The Moon Knight return was subpar and unnecessary), or the old Hollywood episode that brought back Kingo (The triumphant return of the Eternals apologist even though this felt stilted) and the Emergence episode where Mysterio fought Ironheart, which was weird and also they didn’t bring back Jake Gyllenhaal or Benedict Wong, even though THEY STILL HAD WONG IN THE EPISODE (Sad face) but still interesting. There’s the episode where Howard the Duck and Darcy have to run from every random Marvel character they could pull in and also Loki had a ski lodge (Good stuff) and the weird inclusion of Natasha Lyonne as their daughter even though she’s meant to be in Fantastic Four next year as presumably someone else.
So yeah. Weakest and weirdest season. Only one episode was on par with my favorites of one and two (T’Challa Star-Lord, Doctor Strange kills Rachel McAdams over and over again, Peter Quill vs the 70’s Avengers, Happy Hogan Die Hard, and more of season two, season two was really solid except for the finale) and that was of course the most grounded one that honestly didn’t fit in at all with the other episodes: Red Guardian and Bucky’s 80’s Russian buddy comedy. It was sooo good. I love David Harbour! His dynamic with Sebastian Stan, even though they presumably recorded their lines in their respective homes, is so good, and makes me psyched for Thunderbolts*. A lot of this season did feel like stealthy ways to drum up excitement for next year, with this ep, Natasha Lyonne, and the Ironheart and Hood eps. I don’t love the ending of this one, but it’s just fun. And they were on the run from Goliath, very cool. The best part of this show is seeing who shows up and interacts with who. Oh, and speaking of weird appearances, Marvel, what are you playing at? I recognized “Ranger Morales” immediately! Why throw America Ferrera in as a supporting character in a random What If…? episode? She was good, but still. Really weird. Anyway, goodbye What If…?, you were mostly okay and sometimes really fun and now you’re dead. Thank you for letting me listen to Jeffrey Wright’s buttery voice for three seasons.

10. Hellboy: The Crooked Man
I’m adding this after posting because I forgot I watched this. It’s a Hellboy movie. They did a good job adapting the comic it’s based on. I don’t know if I love this new Hellboy. We’re probably never going to get another movie because nobody watched this. Hellboy as a character has a weird movie history. I don’t know. It’s gross. It’s weird. It’s done pretty quickly. It is probably the worst of the four, but not by much, and it’s certainly not deserving of the 4.something it received on IMDb. Like Hellboy(2019) there are issues but overall it’s solid. David Harbour was a better Hellboy than this guy though. Yeah. I like Hellboy. More Hellboy please.

9. Batman: Caped Crusader (Season One)
This got some mixed reactions. It was an interesting plan, on Bruce Timm’s behalf, to revamp the beloved show he created, but in a different form, with a new cast, and a slightly darker, old-fashioned noir tone. I do agree it was an odd decision to not make a continuation or lean more into the darker vibe, and instead just put out a more serialized repaint. But I also don’t care. I like this universe, this version. I don’t know if it worked to cast Minnie Driver as the Penguin, I wish if they were going to include Onomatopoeia they would have done more with him, but largely I really like the vibe of this show, and primarily for the character development and the emphasis on Barbara and Renee. I specifically loved the version of Harley Quinn in this, spooky psychiatrist who manipulates and kidnaps rich patients to steal and reapportion their money for charities and mankind. Maybe it’s not as good as I think, but as I’m about to keep saying, I love a fun animated superhero show.

8. Invincible (Season Two)
The Invincible comic is good. It’s weird and violent and comic booky and sometimes problematic, but it’s good. This show is good. People say it’s not as good as season one, but that’s because it’s very hard to top the twists in season one and the train fight. Also they’re adapting all of it. Not every story from the comics is insane and incredible. They’re continuing to adapt the stories competently and adequately, which is all you need. Season three will presumably be insane, because he has to fight Conquest and get his blue costume. I’m very interested to see how they adapt a horrifying plot point that’s coming up too. Yeah, it’s good. That’s it. I like this show and this universe. I don’t have anything to add on it being good, the cast remains excellent. Oh, and Sterling K. Brown as Angstrom Levy was a great pick.

7. Deadpool & Wolverine
This is an interesting one for me. I’ve reviewed it already, so I’ll be semi-brief. It’s good. It’s made many many moneys, it’s the highest grossing R-rated movie of all time, it’s all fan service and it gave me all these moments I always wanted. But it feels off. It feels hollow. It’s missing something the first two movies had, something that Logan had. You can say what you want, but Deadpool works because at the core of the insincerity, you care about his relationship with Vanessa. Same with the sequel, you care about that, you care about Russell. And in this, the relationship is sidelined, and it suffers.
The jokes aren’t as weird or bitey, the set pieces aren’t as random or funny. We get two great villains, one who gets written off poorly, and a gaggle of returning characters who aren’t given much to do. Shawn Levy swore up and down going into this that the story would not take a back seat to fan service, but it obviously did. I still liked it. It’s better than 80% of the X-Men movies, but like No Way Home, like Quantumania, they went so big that they lost what made the first two great. And the scene that sums it up for me was when Hugh and Ryan slaughter a horde of Deadpools. Hugh is in the suit, with the mask, finally, and we get some cameos, but mostly they’re just killing random extras in identical Deadpool costumes and that’s not that fun. But it’s set to an epic Madonna song and that is fun. So it’s good enough, basically.

6. Agatha All Along (Season One Of One?)
I had no high hopes for this, even though I still think WandaVision is one of the best things Marvel has ever made and I would kill for Kathryn Hahn and Aubrey Plaza. It had been three and a bit years and the show had changed names seven times and the trailers were very CGI heavy. And then I sat down and watched the first two episodes and I was instantly transfixed. The premiere, where Agatha is trying to break out of Wanda’s spell and has gone insane and created a police procedural for herself, only to wind up naked and insane, screaming at her neighbors? Awesome. Fighting Aubrey Plaza with some very obvious “We used to date” energy? Great. The episode where she assembles her coven of sassy weirdo witches and Kitty Foreman only to reveal she was trying to trick them?
Wonderful. I loved seeing this town still recovering from their Wanda trauma and the aftermath of what she did, I loved seeing Kathryn Hahn doing her thing. I did not love the internet melting down and sad men blasting Marvel for having the audacity to make a show about a bunch of cool women and a gay guy. Ugh. Anyway. Really good stuff. By the end I was left overall satisfied. There was some meandering and missed opportunities, (The band episode and Agatha’s trial) and even though the plot reveals that the weird vague look of the set is purposeful even if it’s still practical, it still looks rough. But it was a great show with consistently excellent acting (Patti LuPone for the win!) and I thought I’d predicted the ending based on the Wiccan reveal, but I didn’t see the biggest reveal coming and I thought it was great. This is the best form of Marvel TV, when it’s not furthering the big story, but telling insular ones about grief, and self-actualization, and being a fun green lawyer.

5. The Boys (Season Four)
This is a good show. It’s been a good show. Some say the less overt the politics are, the less interesting it is, and when we’re watching a super-assassin positioned to kill the future president on January 6th the week that someone tried to kill Trump, I can’t fully disagree. I also think the show has run out of things to do with Hughie. He started being sad about his dead girlfriend, then he was sort of the reluctant leader, then he felt inferior in his relationship and did drugs, so now what? Trauma apparently. His dad dies in a horrible fashion and he gets sexually assaulted multiple times. So. That’s a bummer. But I think the show is still good, and you can tell it’s heading towards what I hope will be an explosive ending that stays true to the show ahem fuck you Umbrella Academy ahem. There is some really good stuff in this. I’m very excited for the return of Jensen Ackles.
And I’m apprehensive but interested to see how Gen V goes forward, with all the changes to the universe, but also now that Chance Perdomo has passed away. But again, a good show. I loved the Will Ferrell Blind Side parody, and the weird antics with Sister Sage’s lobotomies and her non-existent love triangle relationship with the Deep and the Tilda Swinton octopus. It’s too gross for my liking sometimes, but boy, what a funny and weird show.

4. The Penguin (Season One Of One?)
I think this is a fun TV show. I haven’t seen The Soprano’s or most mob movies and shows, so I’m not to know how derivative it is, but it’s nice to see a gritty crime-focused Batman villain think piece that is actually about the character it says it is. The Penguin is still a psychopathic irredeemable power-hungry criminal who will go to any lengths to succeed, and not a helpless mentally ill man who got killed at the end of the show by a man with a monocle and umbrella who was inspired to become the real Penguin. Yes, I’d like it if this universe became more fantastical and comic booky. I don’t like that Matt Reeves said this universe will remain grounded and they won’t go beyond the corruption and conspiracies. We already got a semi-grounded Batman universe and I want to see Pattinson fight Mr. Freeze or Clayface. But I digress.
I like Oz. I don’t mind that they shortened his name. I like his weird limp and his scarred face and the fact that he’s a 48 year old Irish man buried in prosthetics. I like that the talented and wonderful Cristin Milioti got to shine as an insane woman struggling for control of her own life. She’s always been an excellent actress, in How I Met Your Mother, in Palm Springs, for those five seconds of The Wolf of Wall Street she was in. But yes. Good, good show. I also liked Vic. What I really love about this show is that it shows that, apparently, it is possible for an actor to give a nuanced performance as a mentally ill person who also acts as a ruthless supervillain with agency, rather than getting torn apart by life and then dying. It also ended really well. Sure, you could see much of the twists and turns coming a mile away, it’s not exactly revolutionary storytelling. In the last episode you can basically hear Vic saying “Kill me so I can die tragically to further your story”. I did not expect Oz to go back on his word to his mom to pull the plug and keep her on life support while having his girlfriend dress like his mom. What I love about this show is he remains a horrible villain from beginning to end. Agatha does the same thing. They’re both really bad people who will do anything to get what they want. It’s great.

3. X-Men ’97 (Season One)
I watched this because I was home and I suddenly had a big TV in my room and I was curious. I’ve seen very small bits and pieces of the original show, I know more about the X-Men mythos from talking to my Dad than I do from reading actual comics, but I knew the broad strokes of the stories this covered. It’s excellent. I don’t know if you’ve heard about it, or watched it, we’re all on different journeys, but this is the answer of the age-old question: “How do we adapt monthly comic books properly in a cinematic landscape when there’s so much story to cover and so little time? And how do we do the X-Men without it feeling vague and boring and wrong like those movies that known garbage person Bryan Singer made?” You make a really good TV show.
And sometimes you luck out and you already had a really good TV show, so you can revive it and bring even more action and intrigue and soap opera drama into it because everyone’s old now. As always, I have my own agenda. BRING BACK EARTH’S MIGHTIEST HEROES! I DON’T CARE THAT PEOPLE WANT REVIVALS OF VARIOUS SPIDER-MAN SHOWS THEY LOVE, BRING BACK MY FAVORITE SHOW! IT’S GREAT, IT DID ALL THE FUN AVENGERS STUFF YOU COULDN’T DO IN THE MOVIES, I WANT IT, GIVE IT TO ME! You’re probably unaware, but before The Avengers came out there was this incredible show that did a great job adapting several awesome comic book storylines and I loved it, it was my favorite thing, and then they cancelled it and replaced it with a worse show that was more in line with the movies. It’s been 12 years and I’m still mad about it.
Anyway, this is a different show. And it’s just really well written. Magneto’s journey is great. They made me care about Morph and Gambit. Wolverine wasn’t really the main character, which never happens anymore. There isn’t much to say, it’s just a reminder why superhero cartoons are comforting and wonderful. It was a bright spot in a year of quietly great superhero shows. The only bad thing I could say is you see Daredevil for two seconds and he says nothing. Why didn’t he ever get an animated show? You know how incredible that would be? The radar sense scenes alone.

2. Creature Commandos (Season One)
People have become tired of James Gunn’s wacky bad people teaming up properties. Not me. There is never anything copy-paste about these shows and movies. The core story of getting these weird groups together is usually the same. The quality varies, I don’t love Guardians Vol. 2 or parts of Vol. 3, but from the beginning I’ve felt he gets DC on a level most filmmakers don’t. Of course The Suicide Squad is in my top five favorite superhero movies of all time. What I love about this show is the focused way it individually highlights each character throughout the narrative. It feels like James Gunn’s version of Batman: The Animated Series, but one that gets to be weird and violent, which I enjoy. Each character feels different and distinct from the shows and movies he’s done before. I think this was a great debut for his DC universe. You don’t have to watch it, you can wait until Superman, but it shows a dedication to bringing the weirdness and vast continuity of the DC universe to life. It shows we are finally getting the DC universe we should have had to begin with: One that is pure, sincerely, earnestly weird and comic booky and not slightly tongue in cheek like Marvel or depressingly misunderstood like the Snyder DC universe. I’m on board.
As of writing there’s still two episodes left but I feel confident I can review it. I really like this show. The soundtrack is weird but fitting, I love the commitment to fucked characters and each backstory which is usually very depressing. I’m so excited for the Doctor Phosphorous episode next week. I’m glad it got renewed for season two. Right at the end of the year we got two really fun animated David Harbour performances, and he’s so good as Frankenstein, such a uniquely funny yet tragic character. The only characters I feel have been underused are Rick Flag Sr., though I do like Frank Grillo and he’s warming on me, and Nina Mazursky, who’s done very little all season but been fun, and it’s James Gunn, so I know the last episode will reveal her powers in an insane way.

1. Doctor Who (Season One or Fourteen or Forty depending who you ask)
Alright, yes. It’s not a comic book show. It’s not a superhero show. But there are many Doctor Who comics and you can fight me, I wanted to talk about it. I’m a recent mega fan of Doctor Who and I now realize that, much like Star Wars, the fans hate all the new things basically no matter what. And like when I watched She-Hulk, I didn’t really get to fully enjoy this show as much as I wanted to. I will say, it was a short season and because Ncuti Gatwa had to film Sex Education season four, (A show I thought ended well but people turned on that big time) there were a few Doctor-lite episodes, and too many where he didn’t take action. But I’m in the weeds. I like Ncuti Gatwa a lot. He’s really good. The Beatles episode and the one with Jonathan Groff were both really good. He had such good chemistry with Jonathan Groff that it made me question my sexuality. I’ve watched the scene where the Kylie Minogue song plays maybe 80 times. So yes. I love this show and the way this character evolves. I would like more from this particular era. The reveals were very inconsequential to my enjoyment of the show. Also I found a good community of people I could talk to through watching this show. It was great fun. I love the Doctor as a character. At its best this TV show feels like Douglas Adams writing at his peak, which makes sense, he wrote on the original. Good stuff.
Also the Christmas special just came out and it was really fun. The ending was ridiculous and would irritate me if this was a worse show and less incredible character, but instead it just made me laugh. And it was in a time hotel. It felt very Douglas Adams, this one.

Thank you for reading this! If you did! Obviously it was a big year, mostly for TV, and I probably over-compensated and included too much, but who cares? What a good year for animated superhero shows and shows about villains that don’t get redeemed but not Sony! Anyway. Onward and upward, friends! I could not be more excited for 2025! Between Superman, The Fantastic Four: First Steps, and Daredevil: Born Again? I might die of happiness. So if I don’t post this next year, that’s why.